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In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery.

Git (which means either a triangular flag or "feather" in Korean) is surprising in several respects.

Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career.

Whatever we feel about the character he portrays, Jang's performance is so real and natural that we can't help but be drawn to him.

As he waits, the pressures of his work life start to recede, and he becomes acquainted with the young woman who runs the motel.

Named Lee So-yeon (played by -- sure enough -- actress Lee So-yeon of Untold Scandal), the woman is twelve years his junior, and possesses an unusual energy and enthusiasm.

That all changed however, after Marathon had its press screening.

It was reported immediately after in numerous newspapers that the journalists in attendance applauded long and hard following the press screening and that most of them were in tears.

There is So-yeon's uncle, a middle-aged man with bleached blonde hair who hasn't spoken since his wife abandoned him.As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.But if Song betrayed the spirit of the omnibus project, he remained true to the needs of his film.To capture a natural setting so well on a medium that often feels cold and sterile is an unusual accomplishment.The relaxed, convincing performances of the actors also deserve notice.

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One hopes that it will be liberated from the other two segments of 1.3.6. At 70 minutes, it is a perfectly respectable length for a stand-alone feature film, and this is a movie that deserves to travel.

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